A View From the Easel


Gonzalo Hernandez i am an american studio

How long have you been working in this space?

Six months.

Describe an average day in your studio.

An average day in my studio typically begins early, around 8:30am or 9am. I like to ease into my practice with some sparkling water, grounding myself before diving into the day’s work. My artistic process starts with a daily practice: I grab a sheet of paper, prepare black or pink paint, and begin working on text pieces. These often explore phrases or ideas drawn from my ongoing readings, which are an essential part of my routine.

I always have a few books in rotation — usually three — reflecting my current interests or research. The book of the week depends on what resonates most with my artistic inquiries at the time. Reading deeply informs my work, providing a conceptual foundation that shapes the themes I explore. After this focused session, I shift the energy by listening to podcasts or watching Art21 videos, which keep me engaged with broader artistic dialogues. Whether it’s a conversation about art, history, or culture, these moments of listening or viewing create a rhythm that balances introspection with external inspiration.

How does the space affect your work?

I was at the Bakehouse Art Complex for three years until last December. I moved to Locust this past June. It’s really a game-changer to have a space available for your practice.

IMG 5637 Gonzalo Hernandez

How do you interact with the environment outside your studio?

Interacting with the environment outside my studio is an integral part of my routine. Being situated in Little River, I feel fortunate to be surrounded by a vibrant art community with several galleries nearby. After lunch, I often take time to step out and visit these galleries. Whether it’s seeing a new exhibition, catching up with gallerists, or simply observing how others engage with the work on display, these visits are both inspiring and grounding. These moments away from the studio also provide a refreshing perspective, and I find they often bring new energy or ideas into my own practice. It’s a rhythm that blends solitude with connection, keeping my creative process rooted in both personal exploration and communal engagement.

What do you love about your studio?

That I have a small area outside my studio to rest sometimes. I usually use it to eat lunch but also to read and watch some videos, it’s an annex to my studio so it’s perfect for me. Also, the size of the studio and the natural light that I have are really great.

What do you wish were different?

My commute.

What is your favorite local museum?

The Pérez Art Museum and the Institute of Contemporary Art, Miami. Both museums are really always on my list. I used to go to the de La Cruz Collection more often, but it recently closed.

What is your favorite art material to work with?

Just a piece of paper and ivory black oil and a brush, that’s it.




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